大花苗族是夜郎古國的另一重要族群，其獨具特色的“大花衣”積淀了深厚的歷史文化內(nèi)涵，酒店設(shè)計師結(jié)合刺繡和蠟染的技藝將夜郎各族的傳統(tǒng)紋飾圖案重現(xiàn)于空間裝飾中，使生活化場景濃縮了厚重的歷史感和故事感，潛移默化中洇染上時光的痕跡。

Dahuamiao nationality is another important ethnic group for Yelang Ancient Country. It contains a profound historical culture connotation. In order to replicate the traditional ornamental patterns of the Yelang ethnic groups in the space decoration, the designer blends the needlework and batik abilities. As a result, the life scene is densely imbued with a feeling of history and narrative that is subtly stained with the passage of time.

“設(shè)計的難點從不在于以線條繪制圖案或以圖案組合畫面，而在于順應(yīng)自然與人文的脈絡(luò)下筆，勾勒出空間的本原面貌”。為了將本案塑成夜郎文化的集大成者，酒店設(shè)計師深入黔滇歷史，探尋在地文化內(nèi)核，在細節(jié)處體現(xiàn)深厚底蘊，讓項目不僅能夠集中展示夜郎古國風(fēng)土人情，更可再現(xiàn)“千古風(fēng)吹到夜郎”詩情雅意。

"The difficulty of design is not drawing patterns with lines or combining pictures with patterns, but writing in accordance with the context of nature and humanity and outlining the original appearance of space". In order to make the case an epitome of Yelang culture, the designer studies Guizhou and Yunnan history and make effort to explore the cultural connotation locally, so that the project can not only display the Yelang ancient customs, but can reappear a kind of poetic elegance.

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